STUDY OF THE CROSS-BORDER FAMILY MEDIATION MECHANISMS AND PRACTICES IN THE GREATER BAY AREA (CHINA, HONG KONG SAR, AND MACAU SAR”)

ABSTRACT

THIS DISSERTATION EXAMINES THE ENDURING INFLUENCE OF WALTER MURCH'S SEMINAL EDITING PRINCIPLES AND TECHNIQUES ON CONTEMPORARY FILM EDITORS, HIGHLIGHTING HOW HIS IDEAS CONTINUE TO SHAPE THE CRAFT EVEN AMONG THOSE WHO MAY NOT BE DIRECTLY AWARE OF HIS WORK. CENTRAL TO THIS STUDY IS AN EXPLORATION OF MURCH'S ""RULE OF SIX,"" WHICH PRIORITIZES EMOTION, STORY, RHYTHM, EYE-TRACE, TWO-DIMENSIONAL PLANE OF THE SCREEN, AND THREE-DIMENSIONAL SPACE OF ACTION IN EDITING DECISIONS. ADDITIONALLY, THE RESEARCH DELVES INTO MURCH'S CONCEPTS OF RHYTHM AND PACING, AS WELL AS HIS EMPHASIS ON PRESERVING THE EMOTIONAL IMPACT OF A SCENE. THROUGH A SERIES OF IN-DEPTH INTERVIEWS WITH WORKING EDITORS, THIS DISSERTATION INVESTIGATES THE EXTENT TO WHICH MURCH'S THEORETICAL FRAMEWORK IS MANIFESTED IN MODERN EDITING PRACTICES. THE STUDY SEEKS TO IDENTIFY HOW CONTEMPORARY EDITORS INCORPORATE THESE PRINCIPLES INTO THEIR WORKFLOWS, CONSCIOUSLY OR SUBCONSCIOUSLY, AND HOW THESE TECHNIQUES CONTRIBUTE TO THE NARRATIVE AND EMOTIONAL EFFECTIVENESS OF THEIR FILMS. BY ANALYZING THE PRACTICAL DECISION-MAKING PROCESSES OF TODAY'S EDITORS, THIS RESEARCH AIMS TO UNCOVER THE DEGREE TO WHICH MURCH'S LEGACY ENDURES IN THE FILM INDUSTRY. THE FINDINGS UNDERSCORE THE SIGNIFICANT, YET OFTEN IMPLICIT, ROLE THAT MURCH'S EDITING PHILOSOPHY PLAYS IN SHAPING THE AESTHETIC AND EMOTIONAL RESONANCE OF CONTEMPORARY CINEMA. THIS DISSERTATION THUS PROVIDES A COMPREHENSIVE UNDERSTANDING OF THE LASTING IMPACT OF WALTER MURCH'S CONTRIBUTIONS TO THE ART AND SCIENCE OF FILM EDITING